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A true ‘renaissance man’ Jump starts the classroom scene at a Brooklyn public school – NY Daily News

Frank Jump prepares to read and showing slides from his book 'Faded Ads of New York City' in an appearance at the Queens Historical Society in Flushing - ROBERT MECEA FOR NEW YORK DAILY NEWS

Author, AIDS activist and ‘urban archeologist’ Frank Jump is now also a civil servant, teaching at Brooklyn’s PS 119

 by Lisa Colangelo for the NY Daily News

Frank Jump is one of those people who is impossible to describe in a title, a sentence or even a full paragraph.

He is an urban archeologist whose photographs of fading advertisements have brought him acclaim. He’s also an accomplished musician and writer.

Jump is an AIDS activist who has defied all odds since finding out he was HIV-positive more than 25 years ago.

To say he’s a survivor would be an understatement. Jump beat a bout with cancer about 10 years ago.

Add to that list the title of civil servant. Jump is a New York City schoolteacher at the P.S. 119 Amersfort School of Social Awareness in Brooklyn.

Read more: A true ‘renaissance man’ Jump starts the classroom scene at a Brooklyn public school – NY Daily News.

Frank Jump’s ‘Fading Ads of New York City’ preserves those signs found on walls of old NYC -BY SHERRYL CONNELLY

Book records his life’s work of finding ads for elixirs, pain remedies and pool halls of yesteryear

BY SHERRYL CONNELLY
NEW YORK DAILY NEWS

Monday, January 2 2012, 6:00 AM

One of the ads from Frank Jump’s ‘Fading Ads of New York City,’ this one for a pain remedy of yesteryear.

Throughout the city, Frank Jump sees what others don’t. He sees ghost signs — those ads painted on the sides of buildings that retreat from the eye as time passes — and they leap out at him.

Then he reaches for his camera.

“Fading Ads of New York City” is a collection drawn from thousands of pics taken throughout the five boroughs. It began on a long ago day when Jump went to Harlem with a friend. At Frederick Douglass Blvd. and 147th Street, he noticed the giant wall mural boasting of the powers of an elixir, Omega Oil.

“My jaw dropped,” says Jump. “I climbed up on scaffolding and got the picture before the police told me to get down.”

So began a life’s work.

At first, Jump shot in chrome. His slide show of the tell-tale signs of a New York gone by numbers upward of 5,000. Since switching to digital, his collection of sightings has swelled to tens of thousands taken all over the world.

“Whenever we travel, we get a room in the seediest part of town,” says Jump. “Usually you find these ads in a part of town where they haven’t done any renovations yet.”

Ask Jump what his favorite signs are in the book, and you get an idea of how he works. Capturing “Reckett’s Blue,” an ad on Washington Ave. in Brooklyn that is now obscured, came about because a relative grew bored at a family dinner. He took her out to show her how he worked.

“We came on a construction pit, so I broke through the plywood and there it was,” says Jump, who teaches media literacy to elementary school students. “She thought I had staged it, but neighbors told us it had just been exposed that week.”

One of the more difficult shoots came when the owners of an auto parts store refused him access to the roof so he could snap the “Hams and Capocolli” sign that stared over the Brooklyn Navy Yard. They turned their backs, up he went, so they loosed the pit bulls.

“But for some reason the dogs took a liking to me, which made the guys even angrier,” he says. “When they chased me out, one of the dogs followed me and wouldn’t go back.”

Jump was 26 in 1986 and working in theater “off, off, Off-Broadway,” when he was diagnosed as HIV-positive. After being told he had only a few good years left, if that, his reaction was to max out his credit cards. One of those purchases was a camera.

He is a survivor, he says, like the signs he memorializes. More than half of the ads he photographed for the book are gone now, but all outlived their expectancy.

“So many of them outlasted the products they advertised,” he notes. “They are a metaphor for survival.”

And brick-and-mortar proof of it, as well.

Read more: 

New book ‘Fading Ads of New York City’ chronicles ghost signs as street art – NY Daily News

NYDailyNews.com

New York

New book ‘Fading Ads of New York City’ chronicles ghost signs as street art

Author/photographer Frank Jump captures long-faded advertisements painted on building facades decades ago

NEW YORK DAILY NEWS

Monday, December 26 2011, 2:11 PM

 	Author Frank Jump in front of one of the “ghost signs” on Archer Ave. in Jamaica, Queens that he writes about in his new book, “Fading Ads of New York City.”

Pearl Gabel for New York Daily News

Author Frank Jump in front of one of the “ghost signs” on Archer Ave. in Jamaica, Queens that he writes about in his new book, “Fading Ads of New York City.”

Mr. Peanut stands, white-gloved hand on shell-covered hip, in a fading ad painted on a brick building in Ridgewood.

At first glance, it seems like a wonderful remnant of a bygone era, perhaps from the 1930s, sure to stoke nostalgia among straphangers at the nearby Seneca Ave. subway station.

Frank Jump knows better.

The Queens-raised shutterbug, whose photos form the new book “Fading Ads of New York City,” is adept at tracking so-called “ghost signs” — and spotting the fakes.

Jump, who will sign his tome at the Queens Historical Society in Flushing on Jan. 26, pointed out a few problems with the Planters sign.

First, it faces the rising sun but still seems remarkably colorful. And Mr. Peanut doesn’t look as lanky as in other early Planters ads.

Conclusion: The ad probably dates back only to the 1980s, when it was created, some believe, for the movie “Brighton Beach Memoirs.”

No minutiae about such ads escapes Jump’s analysis.

His work is valuable to urban historians due to the fleeting nature of ads he photographed years ago. Many of the buildings on which they were painted have since been demolished.

“I’m just glad I caught some of them when I did,” said Jump, a Far Rockaway native who grew up in Belle Harbor, Laurelton and Howard Beach.

Jump began pitching a book on ghost signs after a 1998 exhibit of his photos at the New-York Historical Society garnered attention from literary agents.

Random House came close to offering a deal before a top executive shot down the project, Jump said. He eventually signed the contract for “Fading Ads of New York City” with the History Press.

The book provides insight into what drives Jump’s seemingly obsessive quest to document ghost signs.

When Jump was diagnosed at age 26 with AIDS, he became “acutely aware of himself as a body that might disappear,” anthropologist Andrew Irving wrote in the book’s foreword.

So Jump photographed ads that seemed, like himself, to be slowly fading.

Jump, who teaches technology at a public school in Flatbush, Brooklyn, snapped many signs in the book by climbing fences and walls.

The hardcover features a mix of fading ads across the city. Jump said he may compile another book devoted to Queens given the strong appeal of his work.

“It hits people on many different levels,” he said. “It has a broader audience than people who are just interested in New York.”

nhirshon@nydailynews.com

Twitter.com/nickhirshon

City Views: Unearthing New York by ROLANDO PUJOL – NY Daily News Blog

– A feature about New York City, urbanism and city life.

Fadings Ads of New York City, by Frank Jump 

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For many years, I have eagerly followed Frank Jump’s Fading Ads blog,  a treasure trove of advertising relics that haunt the sides of buildings all around New York. He’s been at it for 20 years, and many of his finds no longer exist, but are thankfully preserved in this book. He has also had the good fortune of photographing perhaps the ultimate urban archaeological find: hidden faded ads that are revealed for a brief time after an old building is knocked down to make way for a usually bigger project. That dynamic — old building torn down, ancient ad revealed, new tower again covers up ancient ad — says so much about New York’s constant tension between the pull of the past and the call of the future.

Pujol is a multimedia editor for the Daily News. He was previously managing editor of amNewYork, where he directed the award-winning “Endangered NYC” series on preservation, neighborhoods and history. He also co-hosts “Hidden City” on WNBC’s New York Nonstop channel. Pujol, who is a licensed, star-rated New York City tour guide, can be found on Twitter: @RolandoPujol – NY Daily News Blog – CLICK HERE TO READ MORE!