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Pancake Days is Happy Days – Aunt Jemima

circa 1938 - clipping bought in a junk store near Junction City OR

circa 1938 – clipping bought in a junk store near Junction City OR

Whoever wrote this copy should have been boiled in corn syrup.

courtesy of Wikipedia

courtesy of Wikipedia

Courtesy of Slate dot com – click for slideshow

From Uncle Bens to Aunt Jemima: The History of Racist Spokespersons in Media
Uncle Ben, CEO? The strange history of racist spokescharacters. By David Segal

Today, no company would be dumb enough to build a brand around a black servant, but the ones now in supermarkets have been grandfathered in, rendered innocuous by the passage of time, image overhauls, and judicious wardrobe adjustments. But it’s worth remembering what these spokescharacters truly are: a final, living vestige of Jim Crow America. – David Segal

Here are a couple of clips of the history of racist spokescharacters.

Aunt Jemima

“Aunt Jemima”

Such virulence didn’t last for long in the realm of commerce, but the image of the servile African-American soon became a popular motif in American marketing, one that’s proved remarkably enduring. You’re looking at the most successful example of them all. Aunt Jemima was dreamed up in 1889 by a white businessman who was inspired by a character at a minstrel show. Looking for a way to sell a self-rising pancake mix, Chris L. Rutt conceived a jolly ex-slave who lived on a Louisiana plantation and made legendary flapjacks in the days “befo’ de wah.” Eventually, she’d be boycotted by the NAACP, attacked by Langston Hughes, and belittled by Public Enemy. But this quintessential “mammy”—a black woman who lives to nurture, clean, and cook for whites—was a marketing phenomenon from the start, mythologized in ads painted by N.C. Wyeth and impersonated by actors who toured around the country. One had a permanent residency at “Aunt Jemima’s Pancake House” in Disneyland.

The Tom

The “Tom”

Aunt Jemima’s male counterpart was the Tom, a simple, cheerful, and ambition-free butler and cook. In the South, the mammy and the Tom reflected a nostalgia for the days of slavery and served as an implicit argument for segregation: If it’s so bad, why are these people so happy, huh? In the North, these characters were presented as the epitome of hospitality and were designed to make potential buyers feel pampered and privileged. It was a sales pitch that advertisers apparently couldn’t resist. One study of national magazines in the ’20s—the beginning of the Tom’s heyday—found that fully half of all ads that featured a black man depicted him as a servant. Like Ben, many were given the honorific “Uncle,” a word favored by Southerners who wanted to express respect in a society where calling a black man “Mister” was out of the question.

To view the entire slideshow, click here  (SLIDESHOW HAS SINCE BEEN TAKEN DOWN)

What do you think? Will you purchase Uncle Ben’s (now Chairman Ben) rice or Aunt Jemima syrup knowing this? If so, why?

Note: On April 30, a former Pepsi ad man who broke color barriers with one of the first corporate marketing campaigns to portray African Americans in a positive light died. Edward Boyd was 92 at his death and was one of the first black executives at a major US corporation. Thank you, Edward F. Boyd!

Pope: Hell Is a Real Place Where Sinners Burn in Everlasting Fire

fox.news

Benedict

Other irrational evidence. The “Truth” About Hell.

The Happy Endings Foundation (THEF) a Hoax

Lemony Snickets

Happy Endings

The Happy Endings Foundation, campaigning parents planning to burn children’s books with grisly endings, a hoax?

© Debbie Ridpath Ohi

© Inkygirl

"Nostalgia Is Corrosive" Gerald Torres on PBS Life (Part Two)

On PBS Channel Thirteen’s Life Part Two, Professor Gerald Torres of The University of Texas (Austin) said “Nostalgia is corrosive.”

Gloria Steinem of Bill Maher’s HBO Real Time

© HBO

What do you think about nostalgia? Visit the Fading Ad Wiki and contribute!

New Feminism? Check out Bonnie Erbe's To The Contrary

© Frank H. Jump

© Frank H. Jump
© Frank H. Jump

© Spy Magazine
© Spy Magazine

© PBS
© PBS/Channel Thirteen

Bonnie Erbe explores the future of feminism in this weeks To The Contrary. Writers Deborah Siegel (Sisterhood Interrupted) and Jessica Valenti (Full Frontal Feminism) are featured. Unfortunately, Erbe’s panel continues to include right-wing Christians and politicians who bash gays and minimize the LGBT struggle.

Rockaway Pato – Rockaway Beach Fair 2007

© Frank H. Jump
© Frank H. Jump

Pato is Spanish for “duck” & a derogatory slang for “lesbian.”

Sugar Foods Corp. – Red Hook, Brooklyn 1999

© Frank H. Jump

Sugar (da da dut da dut da) awwww Honey Honey (da da dut da dut da) you are my candygirl & you’ve got me wanting you…Pour little sugar on it honey.” The Archies– Sugar, Sugar

News From Babylon

News From Babylon 

Sputnik – Placentia, Belize 2000

© Frank H. Jump
© Frank H. Jump

This ends my series of shots from my diving trip in Belize in 2000. I call this painting Sputnik but didn’t get the name of the artist. This was hanging in an Internet Café on a jungle path to the beach.

Best of luck to Belize with this second hurricane. Dean was fierce but Felix is fiercer. Two snaps up in a circle. Three snaps up in a “z” formation. Men on films. Men on films.

and other stereotypes.

Simian experimentation
Monkeys in space
Money in space
MySpace

Jim Dwyer on NYPD Police Surveillance Videos

© NYTimes
© New York Times

NY Times’ Jim Dwyer reports on NYPD video surveillance of public protests and events. Part Three features the arrest of my niece, actress Rosario Dawson during the Republican National Convention protests in August 2004.