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January, 2025:

Looking Back on a Fading Ad Review – DAILY NEWS

Pearl Gabel for New York Daily News Author Frank Jump in front of one of the “ghost signs” on Archer Ave. in Jamaica, Queens that he writes about in his new book, “Fading Ads of New York City.”

New book ‘Fading Ads of New York City’ chronicles ghost signs as street art

By NICHOLAS HIRSHON

UPDATED: January 10, 2019 at 8:00 PM EST

Mr. Peanut stands, white-gloved hand on shell-covered hip, in a fading ad painted on a brick building in Ridgewood.

© Frank H. Jump

At first glance, it seems like a wonderful remnant of a bygone era, perhaps from the 1930s, sure to stoke nostalgia among strap-hangers at the nearby Seneca Ave. subway station.

Frank Jump knows better.

The Queens-raised shutterbug, whose photos form the new book “Fading Ads of New York City,” is adept at tracking so-called “ghost signs” — and spotting the fakes.

Jump, who will sign his tome at the Queens Historical Society in Flushing on Jan. 26, pointed out a few problems with the Planters sign.

Frank Jump prepares to read and showing slides from his book ‘Faded Ads of New York City’ in an appearance at the Queens Historical Society in Flushing – ROBERT MECEA FOR NEW YORK DAILY NEWS

First, it faces the rising sun but still seems remarkably colorful. And Mr. Peanut doesn’t look as lanky as in other early Planters ads.

Conclusion: The ad probably dates back only to the 1980s, when it was created, some believe, for the movie “Brighton Beach Memoirs.”

No minutiae about such ads escapes Jump’s analysis.

His work is valuable to urban historians due to the fleeting nature of ads he photographed years ago. Many of the buildings on which they were painted have since been demolished.

“I’m just glad I caught some of them when I did,” said Jump, a Far Rockaway native who grew up in Belle Harbor, Laurelton and Howard Beach.

Jump began pitching a book on ghost signs after a 1998 exhibit of his photos at the New-York Historical Society garnered attention from literary agents.

Random House came close to offering a deal before a top executive shot down the project, Jump said. He eventually signed the contract for “Fading Ads of New York City” with the History Press.

The book provides insight into what drives Jump’s seemingly obsessive quest to document ghost signs.

When Jump was diagnosed at age 26 with AIDS, he became “acutely aware of himself as a body that might disappear,” anthropologist Andrew Irving wrote in the book’s foreword.

So Jump photographed ads that seemed, like himself, to be slowly fading.

Jump, who teaches technology at a public school in Flatbush, Brooklyn, snapped many signs in the book by climbing fences and walls.

The hardcover features a mix of fading ads across the city. Jump said he may compile another book devoted to Queens given the strong appeal of his work.

“It hits people on many different levels,” he said. “It has a broader audience than people who are just interested in New York.”

nhirshon@nydailynews.com

Twitter.com/nickhirshon

Originally Published: December 26, 2011 at 2:11 PM EST

Take Courage – Borough Market, London – Featured Fade, Maria Grazia Parisi – January 2025

© Maria Grazia Parisi

According to Jessica Furseth, a journalist living in London, the Take Courage ghost sign’s original purpose was not to boost the confidence of young professionals but to get us to drink; it was a promotion for the local Courage Brewery, founded in 1787.1. Furseth interviewed me in July of 2017 for her article Chasing Ghost Signs: Searching for Fading Words in London, New York, Melbourne, and San Francisco which was featured in December 2017 for Hazlitt. The phrase had taken on a different meaning for Furseth when, at the moment she first saw this fading ad, she was going into a building for an interview for a job for which she got hired.

© Frank H. Jump

A similar billboard in the Bronx can still be seen elsewhere in New York City. These motivational signs were made to inspire people during the COVID-19 pandemic and were not advertising any products. For me, these fading messages have become a metaphor for survival for me since, like myself, many of these ads have long outlived their expected life span. Although this project doesn’t deal directly with HIV/AIDS, it is no accident I’ve chosen to document such a transitory and evanescent subject. Of the hundreds of ads I’ve photographed, many have already been covered up, vandalized, or destroyed. But still many silently cling to the walls of buildings, barely noticed by the rushing passersby.